A silver bowl filled with snow, a heron hidden in the moon.—Dongshan
A rebirth of the arts occurred in Japan during the Muromachi period in the 14th century. Poetry and painting flourished and a form of theater called Noh developed. This form used carved masks and combined mime, dance, poetry, and song.
Derived from the Japanese word for "skill or talent, Noh is a form of classical musical drama. Developed by Kan'ami and son, Zeami, Noh tells stories of human passion and struggle from an otherworldly perspective with masks and gestures.
Actors train for a lifetime to communicate universal emotion to the audience.
Zeami wrote the book of dramatic theory called the Kadensho. He shares the secrets of achieving the highest accomplishment as a non actor. With nature images as a metaphor, he refers to various levels of artistic achievement in the performing arts as hana or flowers.
Zeami indicates one of the highest levels of accomplishment occurs when an actor captures a moment of beauty:
. . . piling up snow in a silver bowl . . . the hues that derive from a pure, clean white light, an appearance that gives rise to a real sense of gentleness. Can it not be said that such
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