“Frog
calls and the sound of intermittent splashings drew me to cross the brook on
stepping stones that seemed to have been set out for my passage. A short
push through tall, thick growth brought me to an opening at the edge of a pool
where the lowering sun cast an otherworldly light across dark water. It
glimmered in dragonfly wings and sporadic silver-beaded sprays tossed up by
leaping frogs. Sweet songs from unseen birds drifted on the still
air. Everything was new to me, every sight, sound, and smell a new
experience. “ David Carroll from Self-Portrait with Turtles
Begin your Nature Journal on
location. Let the subtlety of your landscape soak in.
Choose several locations: a park bench, a rock ledge at the beach, a forest or any location where you can sit for 15 to 20 minutes at a time.
Capture what the landscape sounds like.
Touch and smell provide a visceral jolt to writing.
Find out the names of plants, animals and natural forms you observe.
Free write and let the words direct you.
Choose several locations: a park bench, a rock ledge at the beach, a forest or any location where you can sit for 15 to 20 minutes at a time.
Capture what the landscape sounds like.
Touch and smell provide a visceral jolt to writing.
Find out the names of plants, animals and natural forms you observe.
Free write and let the words direct you.
Many questions will surface: Who
am I? Why am I here? What is my responsibility to nature?
You will discover how nature teaches rhythms and reverence for change from the migrations of animals to the blossoms of spring.
You will discover how nature teaches rhythms and reverence for change from the migrations of animals to the blossoms of spring.
l. Listen for the sounds of the
familiar in your garden: water running, a bird song, dog barks, and wind in
trees. What sounds do you identify with home?
2. Imagine the scent of an orange
grove in blossom or a peach tree in the sun. What scents move around
you? What will the sound of rain add? Can you combine the senses in your
writing?
3. Gail Brandeis encourages
writers to describe eating a blackberry recklessly. Bring a fruit or vegetable
to eat during your journal keeping. Can you add taste to your writing?
4. Give flavor and texture to
your writing with visual imagery that moves away from the ordinary. Barry Lopez
uses raucous purple, coy yellow, prosaic blue, belligerent red.
5. Consider the mental
senses: pain, fear, love, play, humor, psychic capacity, reason, time and
intuition. Can you translate these with concrete descriptions?
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